maplebar

joined 3 months ago
[–] [email protected] -2 points 21 hours ago (1 children)

"Hahaha, you're all gonna die, and you voted for that guy!" - Circle Jerks

[–] [email protected] 6 points 1 day ago

Here's hoping the next RNC is held on Mt. Niesen, Switzerland. with its 11,674 steps. 🤞

[–] [email protected] 6 points 1 day ago (1 children)

Called it. Good job to the idiots who voted for this or didn't vote at all and allowed Trump to win. Nice work.

[–] [email protected] 10 points 1 day ago* (last edited 1 day ago) (1 children)

You think the Europeans are going to do anything about it? Think again.

If the American President wants to take Gaza by force and turn it into a Mediterranean Vegas, he's going to do it with very little pushback.

Don't act so surprised. We all knew elections have consequences, right? This (among other things) is the obvious and predictable outcome of allowing Trump to win the election.

[–] [email protected] 14 points 3 days ago

Racism. Next question.

[–] [email protected] 1 points 6 days ago (1 children)

Even in GPL and CC-BY-SA context you still retain copyright ownership over your work. I write GPL code for a modest living, and my real name copyright goes on everything I write. Likewise, your still asking to be credited in your CC-BY-SA music. Nothing wrong with that.

The point being is that we are making a conscious decision to license the things we create in a permissive way. Neither of us are anonymously dumping our work into the public domain because clearly we do care about ownership and copyright. That's well within our rights as creators.

Generative AI is exploiting our work and not even doing the bare minimum of following the licenses that we shared them under.

[–] [email protected] 12 points 1 week ago (5 children)

How does one test for this?

[–] [email protected] 8 points 1 week ago (4 children)

Data is replicable, doesn’t matter if you call it “work” or “ideas”.

Your mistake is thinking that "data" and "copyright" or "ownship" are the same thing. They aren't

You can download a song, and thus be in possession of the data of that song, and you can even copy the file within the parameters of copyright law.

However, simply having the data is not the same thing as owning or holding a license to the song itself, and so you are in violation of the law (where I live, at least) if you try to distribute that song or use it in a non-fair-use context.

IF you were to copy my work and exploit it in a for-profit context for millions of dollars (and you happened to be operating in a region in which applicable copyright laws happen to apply) you're damn right I would come after you for a slice of the pie, and I would almost certainly win. Just copying what I say and pasting it in a quote isn't something that I can prove damages on, because it isn't something you're profiting on in any way, so the idea of "enforcing" it is irrelevant and obviously not worth it.

I agree with you, corpos shouldn’t have this amount of power. But you won’t get there by trying to protect the work of artists writers etc with the exact same scheme corpos pulled to protect their power and interests. Like, it didn’t work, did it?

This is where we are going to have to disagree. I am absolutely willing to fight fire with fire by using the copyright system against big tech. I don't make the rules, but IF rules are to exist in terms of what is or is not fair use of copyrighted material, then I DO expect those rules to apply equitably. (Whether they will or not remains to be seen, but let's see what precedent gets set and I'll adapt from there.)

No copyright for me, thanks

Can I ask you a personal question: what do you create, and do you submit it to the public domain?

As for me, I write music, create art, make games and write computer code and do a number of other things that I absolutely claim ownership over. So, when I write a song or paint a picture who the fuck is anyone else to try to take that away from me or claim it as something that they own and control? I've written thousands of lines of GPL code and contributed to many hippy-dippy open source free software projects over my lifetime, and even in that kind of copyleft context we still maintain a copyright over the code we right (as seen at the top of every source and header file).

I only ask because I find that the people who are most pro-AI and most anti-copyright are generally people who have never created anything of their own--they've written no songs, they've drawn no pictures, they've written no stories--and now they incorrectly generative see AI as something that "evens the playing field" by compensating for their lack of skills and drive.

But I'll repeat myself, AI isn't ushering us into a post-copyright world where the little guy is empowered in anyway. It's just a punch of useful idiots downloading completely proprietary binary blobs from the biggest, richest corporations, fooling themselves into thinking that they're being empowered to create things when in reality they're just beta testing a plagiarism machine on a industrial scale that's designed to enrich the richest.

[–] [email protected] 5 points 1 week ago (6 children)

We aren't talking about "ideas" being stolen here, we're talking about work being stolen and exploited for corporate profit.

Personally I don't think it's crazy to suggest that the person who writes a book should own it, the people who compose a song should own it, the artists who paints a painting should own it, etc.

As much as techbros love to pretend that AI is ushering us into a post-capitalist, post-copyright Star Trek future, it is actually in fact doing the exact opposite--it's empowering the biggest and richest tech companies to exploit human creativity in the largest industrial plagiarism scheme in history, all so some bullshit VC investors can gain their way up the pyramid scheme known as the stock market.

[–] [email protected] 8 points 1 week ago (1 children)

Yeah, this shit drives me crazy. Putting aside the fact that it all runs off stolen data from regular people who are being exploited, most of this "AI" shit is basically just freeware if anything, it's about as "open source" as Winamp was back in the day.

[–] [email protected] 88 points 1 week ago (4 children)

If these guys thought they could out-bootleg the fucking Chinese then I have an unlicensed t-shirt of Nicky Mouse with their name on it.

[–] [email protected] 20 points 1 week ago (9 children)

Trump did this, and by extension that means that idiot American voters did this.

 

Following up my discussion on [https://lemmy.world/post/24254749](0080 War in the Pocket), I've recently watched 08th MS Team and the Witch from Mercury, both for the first time in anticipation of the new Gquuuuuuuux Gundam series.

Overall, I quite liked it.

It wasn't perfect and the story was a bit hit-or-miss for me personally. I also felt it occasionally got a bit lost in the sauce of the whole meaningless corporate school battles thing. But at it's best the drama was really engaging and good.

The Good

Suletta and Miorine were great characters that were really well acted. I think a lot of my positive feelings for this show rely on the fact that Suletta was just a very likeable and relatable character, a true underdog who got brutally fucking bullied and manipulated, and definitely went through some shit, but ultimately tried hard and elevated herself. Where this show really shines above all else is the drama around these two characters in particular.

The Bad

I think the plot could have been more effective and meaningful had it been a little bit simpler.

In the first half of the show I felt like Prospera had a strong and simple motivation for what she was doing--revenge. But over the second half she turned into a weird overly complicated Gendo Ikari facsimile. I liked the somewhat Armored Core nature of a solar system governed by corporate oligarchy (and it's a good reflection of the times we live in), but multiple times throughout the series I found myself wondering who people and corporate names were referring too.

Complexity doesn't always equate to depth, and I feel like this story could have been more effective to me if it had been simpler. Suletta works well because her motivation is simple; to be accepted and loved by family and friends, and to stop needless killing.

The UGLY

Dystopian corporate oligarchy is bad... or is it good?

At the start of this series I was really excited to see a modern anime story dare to be critical of the mega corporate Japan and Earth that exist today, and the oligarchs, investment and business politics that govern almost every aspect of our lives. After all, this series starts off with the idea that corporate dynasties are using kids to essentially demonstrate the power of weapons in order to gain shareholder value and conglomerate clout. Surely these kids would eventually realize that all of this company bullshit was not only against their personal interests, but also against the interests of everyone in the solar system, right?

Unfortunately by the end I lost any sense that there was an overarching message. The premise was interesting and good, but I feel like this series completely backed away from saying much about the world they lived in at all. We see characters like Guel learn and grow from his experiences on Earth and the conflicts within his family, only to at the end revert into the same system that tore his life apart for no reason.

I won't spoil the ending, but I felt that the show never really puts its foot down on whether the corporate oligarchy that they all live under is BAD or GOOD for society, and whether it's worth saving or not?

I think there's a simpler and better version of this story that could have existed, in which Prospera uses Suletta and Ariel to usurp the corporate structure of the Benerit Group (purely in the name of revenge), only to throw the entire solar system into war and chaos as the Earthians rise up against a weakened Spacian oligarchy.


But with all that said, I did like the show. Mainly because I liked Suletta, Miorine and the drama that unfolded around them. It's certainly an entry that's worthy of the other Gundam series that I've checked out so far.

 

WASHINGTON, Jan 20 (Reuters) - U.S. President Donald Trump on Monday revoked a 2023 executive order signed by Joe Biden that sought to reduce the risks that artificial intelligence poses to consumers, workers and national security.

Biden's order required developers of AI systems that pose risks to U.S. national security, the economy, public health or safety to share the results of safety tests with the U.S. government, in line with the Defense Production Act, before they were released to the public.

 

WASHINGTON, Jan 20 (Reuters) - U.S. President Donald Trump on Monday revoked a 2023 executive order signed by Joe Biden that sought to reduce the risks that artificial intelligence poses to consumers, workers and national security.

 

WASHINGTON, Jan 20 (Reuters) - President Donald Trump once again withdrew the United States from the Paris climate deal on Monday, removing the world's biggest historic emitter from global efforts to fight climate change for the second time in a decade.

 

As a follow-up to my previous post asking for Gundam recommendations, I figured I'd open up a discussion about the OVA I finished tonight, Mobile Suit Gundam 0080: War in the Pocket.

I'll start by restating that I'm a longtime anime fan but a relative Gundam noob, having only just recently watched (and enjoyed) the original Mobile Suit Gundam (0079) original TV series. As a big fan of Gainax/Khara and Kazuya Tsurumaki (FLCL, Diebuster, Evangelion) I've been looking forward to the upcoming GQuuuuuux series, and I've been looking forward to checking out a selection of different well-regarded Gundam shows and films before the new one debuts.

That makes Mobile Suit Gundam 0080: War in the Pocket is an interesting one for me; not only is it pretty highly regarded by fans, but it also has some solid early Gainax connections, as the screenplay was written by Hiroyuki Yamaga (Royal Space Force: Wings of Honneamise, Gunbuster) and the character designs were done by Haruhiko Mikimoto (Gunbuster).

Anyway... Having just finished it a few minutes ago, I feel like it was only alright and maybe a little bit overrated.

To start with the positives, I think the OVA mostly looked great. Character designs are peak 80s anime that remind me of Gunbuster in all the right ways, mobile suits look super cool and detailed, the animations were generally pretty great especially during the battle sequences, backgrounds were mostly good. Having just come from MSG 0079, it really felt jarringly impressive how far the craft of Japanese animation had come over the span of a decade. I also liked the overall scenario and concept of the story--growing up as a middle-schooler during the context of the One Year War between the Federation and Zeon. I think the meta narrative about the idealization of weapons of war was also solid and worth exploring.

But here's where it lost me a bit...

  1. Let me get this one out of the way: the soundtrack sucks, both in terms of how unbelievably cheesy the tracks are, as well as how they affect the overall tone of the scenes. This OVA is just packed full of really mediocre and generic 1980s synth (and maybe early rompler) sounds, which alone isn't that much of a problem (I have nothing against synth or romplers, and I love video game music). But when you combine the super cheesy and oddly upbeat sounding music with what's happening on screen it massively detracts from the mood of whatever is happening. Throughout the entire thing I found the music to be distractingly out of place and a major step down from the great soundtrack of Mobile Suit Gundam 0079.

  2. Despite being a fan of Gainax (or maybe because I'm a fan), I've never really liked Hiroyuki Yamaga or his work. This OVA feels a lot like his film, Royal Space Force, in the sense that you'd be forgiven for thinking it's great because it has some good moments and certainly looks great at times. But a lot of the stuff that happens either makes no fucking sense at all or lacked any emotional resonance (for me, at least).

MAJOR SPOILERS Mobile Suit Gundam 0080: War in the Pocket MAJOR SPOILERSFor example, the main character Al, who is supposed to be likable and relatable, is just kind of a shitty little sociopath. I understand that he thinks Zeon and their mobile suits are cool, as he's viewing the war from a naive and childish point-of-view, but in many of his interactions with other people he just comes across as manipulative and impossible to understand. He gets by far the most screen time, and is really the focus of the whole story, and he comes away affected by the war in the end, but that's about the extent of his growth.

Bernie, the under cover Zeon pilot and character with the second most screentime, has pretty little agency and dies a pretty pointless death in the end. That could make for a good character, if his time was used as a realistic and cynical counterpoint to Al's naive idealization of war. But instead of being a role model (who shows Al that war and Zeon are nothing to look up to and that he's merely a pawn in someone else's greedy scheme, who ultimately goes out in a blaze of glory trying to do the right thing and save Side 6 from destruction), he just plays into Al's naivety. Instead of elevating Al to the levels of a worthwhile hero character, it feels more like he lowers himself to Al's level. (I also don't understand how him listening to some drunk chick at the bar complaining to her boyfriend ended up as his call to action to save Side 6...)

Finally Chris, the female lead, was barely a factor in this story at all and didn't have nearly enough screen time or meaningful interaction with he other two main characters. She's "cool" because she's a cute girl who secretly pilots a Gundam, and she certainly fucks some shit up. But she felt to me like a missed opportunity to tell a more complex story between these 3 characters and their polar opposite paths. I would have liked to see more of her, and I think her relationship to the other characters would have felt more believable had they spent more time actually telling that part of the story.


`

  1. This is a minor complaint, but I think the pacing of this OVA is nowhere near as good as the other ones that I've mentioned above (Gunbuster, FLCL, and Diebuster). War in the Pocket felt a lot more like a film that was broken into 6 parts than it felt like 6 stand-alone episodes telling a short story. I just feel like the available time could have been used better to tell the story from multiple perspectives. (For example, episode 1 being the setup, episode 2 and 4 focusing on Al/Bernie/Zeon, episode 3 and 5 focusing on Al/Chris/Federation, and then episode 6 being the dramatic conclusion that ties it all together.)

Overall, I mostly enjoyed it for what it was. Don't get me wrong!

It was an impressive looking show with an interesting premise relative to the original Gundam 0079 UC series. In so far as I understand the essence of Gundam as a noob--that robots may be cool but war is bad and only hurts people--I think War in the Pocket is a worthwhile story, only held back by sloppy writing and a terribly vibe-killing OST. It's still a pretty easy recommend to Gundam fans, because of how it looks and how it slots into the UC setting, but the flaws are big enough that it would be hard to recommend as someone's first Gundam experience.

What do you all think about Mobile Suit Gundam 0080: War in the Pocket? Do you like it? Does it live up to the hype, in your view? Am I being overly harsh (granted it was just my first watch, and some things are a lot better during a 2nd or 3rd watch)?

 

As a big fan of the Gainax and Khara teams, I'm looking forward to checking out the new Gundam Gquuuuuux. And so, in preparation I've decided to watch some other Gundam stuff, starting with Mobile Suit Gundam (0079) which I've just finished.

So my question for the fediverse today is: having just watched the original MSG '79, what do you recommend I check out next?

Should I just go chronologically? Jump between the "best" ones? Get a sample of series from the different timelines/continuities? What do you all think?

 

It's not on Steam so I can't find anything out about it on ProtonDB, but does anyone know how well this game/version runs on Linux?

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