nytganewsbot

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From the New York Times:

Michael J. Gottlieb is part of a cadre of lawyers deploying defamation, one of the oldest areas of the law, against a tide of political disinformation.

 

From the New York Times:

The defendants in the election interference case are once again pressing their argument that Fani T. Willis should be removed from the prosecution.

 

From the New York Times:

To tell the full story of the American Black experience, he created an Atlanta institution in 1978 and later moved it to a building “erected brick by brick” by Black masons.

 

From the New York Times:

When movies are made in Thomasville, Ga., it welcomes celebrities and an infusion of cash. But the financial incentives that attract studios have cost the state billions.

 

From the New York Times:

A bill prompted by the death of Laken Riley, a 22-year-old nursing student, would force law enforcement agencies to report undocumented immigrants to federal officials.

 

From the New York Times:

Fulton County prosecutors say Donald J. Trump’s comments about the 2020 election were meant to advance a broad criminal scheme to overturn the election results.

 

From the New York Times:

The Treasury secretary, who plans to make her second trip to China soon, will argue that the country’s excess industrial production warps supply chains.

 

From the New York Times:

The vote history records support polling showing Biden doing well among the highly engaged but lagging overall.

 

From the New York Times:

Pvt. Albert King, shot dead by a white military police officer in Georgia in 1941, was blamed for his own death and buried in an unmarked grave.

 

From the New York Times:

The Okefenokee National Wildlife Refuge belongs to the planet. And we can still save it.

 

From the New York Times:

Complaints have been mounting on social media, and now a group has filed a lawsuit, as the service has continued rolling out policies against accepting cash to enter federal parks.

 

From the New York Times:

A new Hulu documentary delves into the legendary Atlanta event and surfaces relics of 1980s and ’90s culture that were essential to partygoers.

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