Music

This is where the party ends
I can't stand here listening to you
And your racist friend
I know politics bore you
But I feel like a hypocrite talking to you
And your racist friend

It was the loveliest party that I've ever attended
If anything was broken I'm sure it could be mended
My head can't tolerate this bobbing and pretending
Listen to some bullet-head and the madness that he's saying

This is where the party ends
I'll just sit here wondering how you
Can stand by your racist friend
I know politics bore you
But I feel like a hypocrite talking to you
You and your racist friend

This is where the party ends
I can't stand here listening to you
And your racist friend
I know politics bore you
But I feel like a hypocrite talking to you
And your racist friend

Out from the kitchen to the bedroom to the hallway
Your friend apologizes, he could see it my way
He let the contents of the bottle do the thinking
Can't shake the devil's hand and say you're only kidding

This is where the party ends
I can't stand here listening to you
And your racist friend
I know politics bore you
But I feel like a hypocrite talking to you
And your racist friend

Oh I can still remember
Jenny Hernando
She was my little lovely one
When I was seventeen
I remember the day that she
Gave me her virginity
And then she gave it to everyone
In our vicinity

Oh I can still remember
Julie Tolentino
The dancing Filipino
We used to run around
Her and Flouncin' Freddy
Were going hot and steady
Now she runs a dyke bar
The biggest one in town

I can still remember my
Old friend Todd Squellati
I watching him snort a
Milkshake right up his nose
He slurped it up the left side
Blew it out the right side
How he ever kept it down
I will never know

Of course I still remember
Ol' Flouncin' Freddy
We were pumping gas
Down at El Sobrante Shell
His Mustang was his pride 'n' joy
He liked to dance the cowboy
He'd hang out at Jack In the Box
But eat at Taco Bell

I run my mouth and it's not great
But you broke my heart on my birthday
You said, "Don’t cry, you're making this harder"
Well goddamn you're just like your father

But if I beg you, would you stay with me?
And if I stay up, would you lay with me?
In the morning you can leave again
And I promise I won’t lose my shit
Call all my friends, call off the wedding
Leave me at the altar, give me a good ending
'Cause you're a good man, you do everything right
And when I get psychotic you don't put up a fight
But you need a vacation, a break from my love
'Cause I'm always wasted and I need too much
With my splintering syntax, hysterical grammar
Parenthetical sadness, it doesn't really matter
I'm not a runaway bride, wasn’t born for deceiving
I love you too much, I’m no good at leaving

Who's gonna hold you now?
I won’t wait around to find out
Who's gonna get you high?
Let you take the stars from their eyes
Baby please, it's not gonna be me
You should get a ride home
From someone who loves you

Did you show up just to hurt me?
Just to waste my time, or just to look at me?
Did you think that I would beg you?
Did you wanna make me cry?
Oh, what a tragedy

'Cause life’s so sweet and my friends adore me
Honestly, baby, you bore me now
I'm having fun again
One more time just so you remember
No one's gonna do the things I did to you
And when you come back

I'm gonna make you crawl
It's dangerous to get what you want
Who's gonna calm you down?
You always got so nervous in a crowd
Baby, why do you look so tired?
You should get a ride home
From someone who loves you

Is this a worthy goodbye?
You drained the sun from my sky
To light up the halo above you
Well, God help the next girl that loves you

Saw these dudes last night in Asheville and they absolutely shred.

Download link

Though they're not yet dominating the charts, disturbingly realistic AI songs are slowly but surely creeping into our headphones - and you may even be listening to them without realizing what you're hearing. Smuggled into popular playlists and hidden in plain sight among authentic, well-known tracks, AI-generated artists with fake photos, ChatGPT-generated biographies and no genuine fans to speak of are picking up hundreds of thousands of streams.

One such artist is The Velvet Sundown, a band with almost 350,000 monthly Spotify listeners but no discernible online presence or social media accounts. ("There's not a shred of evidence on the internet that this band has ever existed," as one Redditor put it.) While we can't confirm that the band's music is AI-generated, a glance at their artist image and bio should be enough to persuade even the least skeptical observer.

"The Velvet Sundown don't just play music — they conjure worlds," reads the group's Spotify profile, which we're about 99% certain has been authored by ChatGPT. "Somewhere between the ghost of Laurel Canyon and the echo of a Berlin warehouse, this four-piece band bends time, fusing 1970s psychedelic textures with cinematic alt-pop and dreamy analog soul."

The biography tellingly states that the band's music "feels like a hallucination you want to stay lost in," their live shows playing like "lucid dreams" and their albums "unfolding like lost soundtracks to films that were never made". There's even a seemingly bogus quote from Billboard rounding things off, claiming that the band "sound like the memory of something you never lived, and somehow make it feel real".

You may hear the phrase “electronic music” and think of superstar dubstep DJs in funny helmets at beachside celebrity parties. Alternatively, you may think of the mercurial compositions of Karlheinz Stockhausen, the musique concrete of Pierre Henry, or the otherworldly experimentalism of François Bayle. If you’re in that latter camp of music nerd, then this post may bring you very glad tidings indeed. Ubuweb—that stalwart repository of all things 20th-century avant-garde—now hosts an extraordinary compilation: the 476-song History of Electronic/Electroacoustic Music, originally a 62 CD set. (Hear below Stockhausen’s “Kontact,” Henry’s “Astrologie,” and Bayle’s spare “Theatre d’Ombres” further down.)

Spanning the years 1937–2001, the collection should especially appeal to those with an avant-garde or musicological bent. In fact, the original uploader of this archive of experimental sound, Caio Barros, put these tracks online in 2009 while a student of composition at Brazil’s State University of São Paulo. Barros’ “initiative,” as he writes at Ubuweb, “became some sort of legend” among musicophiles in the know.

https://archive.is/FR6HP

Those late 70's/80's style shoulder pads lol

cross-posted from: https://lemmy.ca/post/46463452

/watch?v=fifHHJfxfHM

https://www.youtube.com/watch?v=fifHHJfxfHM

M0NDAY, I start night shifts at an Amazon warehouse tomorrow. So I made a beat that punches harder than reality.

This track is what my brain sounds like when I realize I’ll be sorting boxes at 3AM while the rest of the world sleeps and dreams of brunch. No lo-fi, no good vibes, just TRAP drums ready to declare war on the calendar.

I didn’t want smooth chords. I wanted something that says “Hey Monday, square up.”

It’s aggressive, a little unhinged, and exactly what I need to mentally suplex the work week before it suplexes me.

So if you're also out there wrestling with life, deadlines, or 20kg packages at ungodly hours—this one’s for you.

Press play. Let’s fight Monday together.

--

Available on all platforms: 🎧 https://linkco.re/8DcFhAp9

Found these guys recently and they've just dropped a new album.

archive.is link

The 2025 Grammy Awards were suspiciously great. Beyoncé finally won the coveted Album of the Year award for Cowboy Carter, which also scored Best Country Album and mined the history of Black musicians’ foundational contributions to country music. Chappell Roan and Doechii delivered powerful, moving speeches while accepting Best New Artist and Best Rap Album, respectively. The performances were stellar and there were no egregious snubs. What a night. The Recording Academy is ready to do it all again at the 2026 Grammys, but with a few caveats and changes to its categories and rules.

For starters, the Best Country Album award no longer exists in its previous form. When nominations are unveiled on Friday, Nov. 7, 2025, they will instead include Best Contemporary Country Album — the new version of this award — and the newly-introduced Best Traditional Country Album.