Part 1: https://lemmy.ml/post/26366649
And in general, we need to define what wealth is. How is this wealth measured? Of course, any of us wants to live well. But what does it mean to live well? For some, it is enough to have a good apartment, a dacha (summer cottage), a car, and healthy children who do not have bad habits and stand firmly on their feet in life. For others, even millions of dollars are not enough—they want billions. So how much money and property does one need to feel satisfied in this life, and for their years to be their wealth? I suppose no one can answer this question. But there is wealth that is not just material. To know oneself, to understand the world around us, to explore the art created by humanity—literature, music, and so on. Isn’t that wealth? I have already mentioned that I come from a very poor family, but I did not pay much attention to my poverty and did not worry about being poor as some young people do.
Since childhood, I loved reading. Not far from our home, there was a decent library. At that time, the library mainly had classical literature. I read foreign, Russian, Georgian, and Armenian classical literature, of course, what was printed in the Georgian language. That is wealth. It is impossible to list all the authors whose works I read—there are too many of them. Since childhood, I had a strong desire to read. We lived on the outskirts of the city, and frankly, apart from reading books, I had no other entertainment. I had no money or decent clothes to go to the city center for movies, and the cinemas were far from our home. We didn’t have a TV or even a radio. A radio was installed in our shack around 1948. So books, and only books, were my source of knowledge about the world. However, I must say that the radio greatly expanded my knowledge, especially in music. The radio broadcast amazing musical programs—opera music by Verdi, Tchaikovsky, Paliashvili, Gounod, Mussorgsky, Puccini, Beethoven, Glinka, Mozart, and many others. At first, I did not appreciate opera or classical music. I thought it was not for us, or at least not for me. But something interesting happened in my life.
I wrote in my memoirs that I was born in the mountains of South Ossetia, in the village of Jvaris-Ubani. The thing is, my mother, who already lived in Tbilisi, was in Jvaris-Ubani for the summer when she went into labor. At the same time, my father was arrested. Well, it was 1930! My mother also had my older brother, who was 2 years old at the time. So my mother left me in the village with a woman from the Plievi family and returned to Tbilisi. Since she was a healthy woman and had breast milk to spare, she was hired to breastfeed the son of another woman. This woman was a veterinarian and worked in market sanitation, checking the quality of meat. Sometimes she even threw us some pieces of meat, though this was after the war. So, around 1947 or 1948, I became curious about who had drunk my milk. My mother gave me their address, and I went to meet my milk brother. He turned out to be a very good boy, and we became friends. His father had been repressed, which was quite common in those years. They lived on Rustaveli Avenue. The apartment wasn’t great, but it was near the opera house. It turned out that the ticket checker at the opera was a good friend of his mother. Naturally, Nodari, my milk brother, started taking me to the opera on weekends, and sometimes on other days, for daytime performances. We went there because this woman let us in without tickets. I had no musical education or understanding of what opera was.
The first opera I listened to was The Tsar’s Bride. Everything was nice and cozy, with soft, comfortable seats. The only bad thing was that the Tsar’s bride had a very loud voice, and I couldn’t fall asleep for a long time. Eventually, I did fall asleep. The next time, we went to listen to Rigoletto. Since I had already figured out how to “listen,” I fell asleep instantly. I woke up specifically for the Duke’s aria, La donna è mobile. But with Carmen, the music captivated me from the overture, and I listened with delight until the very end. Later, I listened to operas by Tchaikovsky, Glinka, Mussorgsky, Gounod, and other composers. Opera music fascinated me so much that when I later attended a drama theater performance, I missed the music and musical accompaniment. I realized how much music enhances the perception of what is happening on stage. Much later, when I was an officer and on leave in Tbilisi, I listened to Paliashvili’s opera Daisi (Evening Glow, in Georgian). I left the opera house feeling enlightened, cleansed of everyday dirt. I wanted to do something good for people. I thought that a person who listened to such music as Daisi, Tchaikovsky’s First Piano Concerto, Rachmaninoff’s Second Concerto, Grieg’s Peer Gynt, or the works of other great composers, could not do anything dirty or vile. In my opinion, classical music, if understood, cleanses the soul like a prayer spoken before God in a state of deep emotional excitement. I am deeply grateful to those who introduced me to such spiritual wealth as opera and classical music, and I sincerely feel sorry for those who reject or refuse to appreciate such treasures, preferring only material goods.
I am generally amazed by the abundance of great figures in music, literature, painting, and art in the 19th century. The 20th century also produced great works of art, but the 19th century is unparalleled in this regard. At least, the pseudo-art that emerged in the 20th century and flourished in the 21st did not exist in the 19th century. My generation had the fortunate opportunity to engage with real art, not pseudo-art as we see today. Of course, this does not mean that everything was good then and everything is bad now. That would be an incorrect conclusion. There was also a lot of negativity and even repulsive things in the life of my generation. We were raised in the spirit of loyalty to the cause of Lenin and Stalin. We didn’t fully understand what Lenin and Stalin were up to, but we shouted that we were faithful to their cause. If we had said otherwise, things would have gone badly for us. Unfortunately, in our time, all aspects of life, including art, literature, and music, were limited by the postulates of Marxism-Leninism. Stalin’s statements on any issue were considered the ultimate truth. If you objected, you would become a gold miner in Kolyma or a lumberjack—neither of which was pleasant, and the living conditions were harsh. So, even if we disagreed with Stalin, we expressed enthusiastic admiration for the fact that such a genius was leading our country. Unfortunately, in our time, the opinion of one person determined what we should read, listen to, or see. Anything that did not align with his views was considered bad and dangerous for the people. That’s how the “father of nations” cared for our moral and ideological education. I well remember a number of decisions by the Central Committee of the Communist Party regarding literature and art, where the works of writers, musicians, and artists were subjected to devastating criticism. By the late 1940s, a campaign against cosmopolitanism and admiration for the West had begun. It’s interesting—if Comrade Stalin could see what is happening in our country today in terms of cosmopolitanism and admiration for the West, he wouldn’t just turn in his grave—he’d spin like a fan.
I have dwelled on Stalinism in such detail because Stalinism also contributed its terrible share to the spiritual education of the younger generation in the 1930s and 1940s of the last century, and the consequences of such education are still felt today.
To be continued...
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I'll be glad to hear your comments! PART 2: https://lemmy.ml/post/26569540