MORE SOULS ON THE ALTER OF THE AI GOD, you know, just a few more and it shall burst forth from the machine and solve all our problems.
Just keeeeeeep pouring resources and capital on to the fire, any day now. Don’t worry about the climate or housing prices, the inevitable AI god will solve all that, surely. All the ruined lives and destroyed careers will be worth it, promise.
Shame, exploitive studios that let the business idiots take over and then sell them to Microsoft.
Will be happy to support the people who used to work there that go on to make indie games.
it’s kind of terrifying how much power has been concentrated in the hands of people so eager to adopt such a flimsy ideological/religious cause.
You think the producer was trying to be an ass? Or like, are they just that deep in the cult that they think this is helpful advice?
they appear to be copying direct translations from chat GPT in to the subtitles, judging by the fact that one of the subtitles said “Chat GPT says:” and then the line in German. People who speak German also noticed that the grammar and sentence structure for many of these shows has been awful and nonsensical at times.
If anyone is doing any sort of oversight, they don’t appear to speak German them selves and are just betting that the output will be accurate and pasting it in.
Someone who spoke German and Japanese fluently enough to do competent oversight could probably translate faster than they could edit and rephrase the work of an LLM, which are notoriously bad at translating languages in a high context situation like dialog in a animated show. LLMs are also generally very bad with high context languages like Japanese, and even worse at translating between them and low context languages like German.
The people who actually made the show, animators, voice actors, and writers do not get money based on your crunchy rolls subscription, and those production committees that do get money, didn’t make the shows, they just initially financed them.
Assuming the show is based on a manga or light novel, the original artist/writer might if they were lucky enough to negotiate shares in the production committee, but most are not in a position to do so.
For me, what matters, is that the people who made the art get compensated fairly, that they are able to live a good life. That people are encouraged to make art by my consumption of it, and the current system doesn’t do that. It’s a horrific exploitative machine where purchase reward further exploitation of the people who actually put work and effort in to make the art.
China’s not exactly flush with cash to buy debt with at the moment, they’re having their own struggle party at the moment, although they tend to be less vocal about it. After all, their real estate market basically got massively over leveraged and a lot of capital disappeared and turned out wasted.
The Saudi’s too are having a bit of a liquidity problem at the moment, they’ve made a lot of commitments on weird mega projects and spent a lot of money trying to diversify their economy and repair their image, much of it with limited success.
They’re buying them from production committees and other such organizations. Most anime is made on essentially “commission” basis, where a studio is payed a fixed upfront amount by a group of financiers and other interests, who then distribute the show, sell the merch, and license it internationally. Essentially studios and those who work there are payed no residuals or other profit sharing scheme like is common in the American film and television industry.
There is actually a bit of a cartel in that regard, with the third parties that purchase shows from studios having collaborated to suppress the cost of seasons for nearly 2 decades, leading to stagnant wages and rampant overworking of artists as the quality and quantity of work expected increases while the budget stays the same. Increasingly artists at the companies have had to fall back on gig work beyond their standard hours to make ends meet, getting payed by frame in their off hours to make a little extra money, effectively working 16 hour days through this additional work. There is some movement to change this as of late, but, this is still essentially the norm.
Prices really haven’t come back to normal. Average prices is around 7 dollars a dozen, with lows around 5 dollars a dozen depending on area.
In 2019 it was between 1.30 and 2 dollars a dozen.
The H5 bird flu strain hasn’t been contained, and it probably never will be, it’s been rampant for nearly half a decade at this point and they’re still nowhere near containing it. It’s endemic in the migratory bird population. At this point the only flocks that won’t be routinely wiped by it are smaller flocks in better conditions.
Beyond the reality of higher turn over in flocks due to routine outbreaks, it also gives them an excuse to steadily press up prices to pad margins.
The prices are also still like 5X what they were before this bout of bird flue started over 5 years ago.
Transneft is the largest oil pipeline company in Russia for context. It’s state controlled and moves about 80% of the crude and 30% of the oil products.