Books

5551 readers
307 users here now

A community for all things related to Books.

Rules

  1. Be Nice. No personal attacks or hate speech.
  2. No spam. All posts should be related to books.

Official Bingo Posts:

Related Communities

Community icon by IconsBox (from freepik.com)

founded 2 years ago
MODERATORS
1
 
 

I'm finishing up The Golden Enclaves, the last of the Scholomance Series by Naomi Novik. It fulfills The Jerk with a Heart of Gold square, but in getting in to it, it also fits the LGBTQIA+ representation square. I've gotten started on so many great series in the last few years doing reading challenges and this year I'm going to try and get caught up with a bunch of them. I'm super excited!

What about all of you? What have you been reading or listening to lately?


For details on the c/Books bingo challenge that just restarted for the year, you can checkout the initial Book Bingo, and its Recommendation Post. Links are also present in our community sidebar.

2
 
 

Want to read more, but need motivation or direction? Want to gamify or expand your reading? Try book bingo! Our hope with this challenge is to provide a fun way for you to keep up with your recreational reading goals throughout the next 12 months.

How Does It Work?

The goal is to read something that fits the theme for each bingo square in any single row, column, or corner diagonal of your choice (one work per square). You’re welcome to complete the entire card (or multiple cards) for an additional challenge goal, but you only need to check off a single line of 5 squares to complete the challenge.

So what can you read? Well, anything you enjoy, really. There's no requirement to consume any particular kind of work, so any length, format, subject, or genre is totally fine. Want to read graphic novels, audiobooks, poetry, 10-page memoirs, or works in other languages? No problem. There's no bingo police, either! If you think you can make a well-reasoned argument for why something fits the spirit of a square, go for it. There's even a process for substituting a square if it doesn't quite fit your preferences.

We hope you’ll participate in the community throughout the year by posting what you’re reading in the weekly "What are you reading?" thread, and by helping others with recommendations.

In mid-April, 2026, we'll put up a turn-in post to collect everyone's cards. After the thread closes at the end of April, we'll use the submissions to put together a summary of the results, and to determine eligibility for community flair (currently not possible, but maybe in the future!) or some other recognition. If you want to be included, please make sure to contribute to that post, even if you've made other bingo posts or comments during the year.

Rules

  • You must read a different work for every square you complete, even across multiple cards. There's no problem, however, with overlapping other reading challenges that aren't associated with c/Books.
  • Repeating authors on the same card isn’t forbidden, but we encourage you to read different authors for every square on a card.
  • Likewise, we encourage you to primarily read things you haven’t read before.
  • If you’re having trouble filling a certain square, you are welcome to substitute any non-duplicate square from last year's card. The center square (C3) is the one exception, and is not eligible for substitution. Please limit your substitutions to one per card.
  • The 2025 challenge runs May 1^st^, 2025 – April 30^th^, 2026. Anything you finish during that time period is eligible, as long as you were no more than halfway through on May 1^st^, 2025.

Upping the Difficulty

Want an additional challenge? Try one of these, or come up with a variation of your own (and share them!).

  • Hard Mode: This is just a stretch goal for those interested -- it does not convey any greater achievement. Most square descriptions include an optional extra restriction, which you can do or ignore on a square-by-square basis. It's up to you!
  • Genre Mode: Read only one genre.
  • Review Mode: Write a review (ratings alone don’t count) for the books you read for bingo, either here on c/Books, a personal blog, Bookwyrm, The Storygraph, Hardcover.app, or elsewhere.

The Card

2025 Bingo Card

Full Size Card

Squares in List Form

The Squares

Row 1

  • 1A Number in the Title: The work must have a number in the title that's not a just a volume/version number. Example: The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid. HARD MODE: Only numbers in the title.
  • 1B Author from a Different Continent: The author(s) resides on a different continent than you do. HARD MODE: The work required translation to be published in your native language.
  • 1C Featured Creature: A sentient non-humanoid is the primary PoV, or a non-humanoid creature holds such a prominent role that the work would be completely different without them. Examples: Call of the Wild by Jack London or Old Yeller by Fred Gipson. HARD MODE: Not a sci-fi/fantasy creature.
  • 1D Minority Author: The author is a member of a generally underrepresented or marginalized demographic where you live, such as LGBTQIA+ or BIPOC. HARD MODE: Belongs to more than one minority group.
  • 1E Now a Major Motion Picture: The work has been adapted into a show or single episode, movie, play, audio drama, or other format. HARD MODE: Watch or listen to the adaptation as well (rewatches are ok!).

Row 2

  • 2A Independent Author: Read a work self-published by the author. Any work later published though a conventional publishing house doesn't count unless you are reading it before the switch, and its rerelease date is after April 30^th^, 2026. HARD MODE: Not published via Amazon Kindle Direct.
  • 2B Set in War: The work takes place with an active war in the foreground or background. The characters do not need to be directly involved in combat, but the war's presence must be a primary driver of the narrative. HARD MODE: There are more than 2 factions in the war.
  • 2C Orange Crush: The title, a prominent element of the cover, or the narrative involves some form of orange (color, word, or fruit). HARD MODE: The work you chose uses multiple types of orange features.
  • 2D Short and Sweet: Read a individual piece of work under 170 pages or 40,000 words. HARD MODE: Read a collection of this type of short work.
  • 2E Banned Book: Read a work from the ALA's (American Library Association's) list of the top 100 banned books in the US 2010-2019. If you are a non-American and there is a similar list for your region, that is also a valid source for comparable information. Additionally, you can use the content from the Wikipedia post on banned books. HARD MODE: One of the top 50 (or equivalent).

Row 3

  • 3A Based on Folklore: The narrative must be based on a real world piece of folklore. Folklore encompasses fairy tales, fables, myths, and legends. HARD MODE: Non-European folklore.
  • 3B Title: [X] of [Y] - The title of the book must feature the format described, such as A Wizard of Earthsea by Ursula K. Le Guin. HARD MODE: [X] of [Y] and [Z] (the conjunctions can be flexible).
  • 3C FREE SPACE - Off Your TBR Pile: A book that’s been on your TBR list for a long time. HARD MODE: Overlaps with at least one other bingo square theme.
  • 3D LGBTQIA+ Lead: A main character identifies as LGBTQIA+. HARD MODE: Includes a significant romantic relationship between characters that identify as LGBTQIA+.
  • 3E Saddle Up: The narrative revolves around someone whose identity is tied to being a rider of something, such as a horse, dragon, or motorcycle. HARD MODE: The ridden creature/object is treated as a character in its own right.

Row 4

  • 4A New Release: New for 2025/2026 (no reprints or new editions). First translations into your language of choice are allowed. HARD MODE: This is the first work you've read by this author.
  • 4B Alliterative Title: Many books boldly boast alliteration to attract audience attention. HARD MODE: More than 2 alliterative words in the title, excluding definite articles or conjunctions.
  • 4C Judge a Book by Its Cover: Chosen because you like its cover (or cover analogue). HARD MODE: Picked using only the information available on the front cover.
  • 4D Award Winner: Has won a notable and widely regarded literature award. HARD MODE: More than one award.
  • 4E Gamble, Game, or Contest: Features an organized gamble, game, or contest (life-and-death or otherwise). HARD MODE: Take a gamble on a style or genre of work you don't typically read, as well.

Row 5

  • 5A Steppin' Up!: Challenges can come at you quickly, especially for those least prepared. Whether it's a major leadership position or suddenly being gifted a baby dragon, life is about to get a whole lot harder and more complicated. HARD MODE: The primary PoV does not assume the throne of a monarchy/empire.
  • 5B Political: Political movements are a major driver of the work. HARD MODE: From the perspective of machinations in the background, outside the typical positions of power or major government.
  • 5C Late to the Party: Apparently this is a really popular work, you just haven't gotten around to it yet. Read a book that you have seen recommended over and over. HARD MODE: Not Harry Potter.
  • 5D Cozy Read: Cozies generally feature a smaller cast of characters in a smaller location, emphasize community, highlight successes and inspirational moments, and have a more optimistic and upbeat tone. Above all, they have to have a satisfyingly happy ending. They offer comfort to their readers and a safe escape from the realities of daily life. HARD MODE: There is no hard mode, hard mode defeats the purpose of the cozy task.
  • 5E Jerk with a Heart of Gold: A significant figure may be rude, gruff, or even insufferable; however, beneath all that, a surprising kindness shows in the right moments. Maybe they are bad at the whole feelings thing, are doing it to hide a deep pain or maintain a position of responsibility, or maybe it's just all a façade, but their actions ultimately reveal a core of genuine caring. HARD MODE: Not A Man Called Ove/Otto.

Resources

If you make or find any bingo-related resources, ping or DM me so I can add them here. Thanks!

Appreciation

  • This challenge is inspired by, but totally separate from, the one run by r/Fantasy on Reddit. We deeply appreciate the past organizers and the work they did that we are now benefitting from.
  • 2025 bingo card font credits: Parchment, by Photo-Lettering, Inc.; Noto Sans, by the Noto Project authors.

MarkDown Card (click to expand)

A B C D E
1 Number in the Title Author from a Different Continent Featured Creature Minority Author Now a Major Motion Picture
2 Independent Author Set in War Orange Crush Short and Sweet Banned Book
3 Based on Folklore Title: X of Y FREE SPACE - Off Your TBR Pile LGBTQIA+ Lead Saddle Up
4 New Release Alliterative Title Judge a Book by Its Cover Award Winner Gamble, Game, or Contest
5 Steppin' Up! Political Late to the Party Cozy Read Jerk with a Heart of Gold
3
 
 

This book is licensed for your personal enjoyment only. This book may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you're reading this book and did not purchase it, or if it was not purchased for your use only, please purchase your own copy.

I found this notice on the copyright page of something I bought at a recent used book sale. I can't recall seeing a warning so overtly hostile to book borrowers and hope I never do again. I know about the first sale doctrine, and that this is completely unenforceable, but it still offends me. Should I contact the author for instructions on returning it unread?

4
 
 

As a huge BTTF fan, I'm really excited to read this! I just added it to The StoryGraph, and you can shelve it for your TBR here: https://app.thestorygraph.com/books/c02ec440-d907-4c9d-b13c-6bc967207a0e

5
 
 

The Penguin Random House cover for Bridget Read's 'Little Bosses Everywhere.'

Bridget Read's 'Little Bosses Everywhere' (permalink)

Pyramid schemes are as American as apple pie. If you doubt it, just read Little Bosses Everywhere, Bridget Read's deeply researched, horrifying, amazing investigative book on the subject, which is out today from Crown:

https://www.penguinrandomhouse.com/books/715421/little-bosses-everywhere-by-bridget-read/

Read, an investigative journalist at Curbed, takes us through the history of the "industry," which evolved out of Depression-era snake oil salesmen, Tupperware parties, and magical thinking cults built around books like Think and Grow Rich. This fetid swamp gives rise to a group of self-mythologizing scam artists who found companies like Amway and Mary Kay, claiming outlandish – and easily debunked – origin stories that the credulous press repeats, alongside their equally nonsensical claims about the "opportunities" they are creating for their victims.

In Read's telling, there's only two kinds of MLM participants: suckers (who lose lots of and lots of money) and predators (who rake in that money). MLMs pretend that they're doing "direct sales," cutting out the middleman to peddle vitamins, household cleaners, cosmetics, tights or jewelry. But the actual sales volume of these products rounds to zero. The money in the system – tens of billions of dollars per year in the US alone – is almost entirely being spent by "salespeople" who are required to buy a certain amount of "product" every month, either as a condition of membership, or in order to attain some kind of bonus or status.

The "salespeople" in these systems are effectively in a cult, and the high-pressure techniques that Read describes will be instantly recognizable to anyone familiar with cultic dynamics, or even just a casual listener to the Conspirituality podcast:

https://www.conspirituality.net/episodes

And, as with other cults, MLM members are tormented endlessly by other cult members into trying to recruit their friends and family-members. Sometimes, they succeed, and the cult grows a little – but usually not for very long. Most people who get recruited into an MLM quickly figure out that it's impossible to make any money – indeed, it's impossible to avoid losing a lot of money – and bail.

The meat-and-potatoes of the MLM industry are the minority who don't see through the scam. They believe that they are deficient, because everyone else is reporting such incredible returns from "the program." They charge more product to their credit cards, insisting to their "uplines" that they are selling machines (and not that they are filling their garages and attics and living rooms and kitchen cupboards with unsold, unsellable junk). What they don't understand is that all the "successes" in the cult are either scammers who are getting rich off people like them, or they are people like them, going deep into debt and desperately trying to pretend that they're selling as well as those uplines.

The US government and various law enforcement agencies have taken various runs at these cults, but the cults have always won. That's down to enforcers buying into the cult leader/scammers' essential lie: that, at the end of the day, MLM is a system for selling things to people. That isn't true, has never been true, and never will be true. But by crafting rules and tests that attempt to sort the "legitimate" MLMs from the "scam" MLMs, enforcers fall into the scammers' trap. The scammers welcome rules that distinguish "good" MLMs from "bad" MLMs, because it's trivial to create the superficial appearance of adherence to these rules while flouting them. For example, if the rule says that "independent sales representatives" must sell to at least ten outside customers, they can simply make up the names of ten people and charge it to their card. This happens routinely, but there's no auditing, and besides, the MLM victims are all "independent business owners," so if there were any penalties for these violations, they would fall to the victims, not the cult.

Meanwhile, the scammers know it's a scam, and the failure of their victims to sell the useless "product" the cult is nominally organized around is a feature, not a bug. The hordes of indebted, cost-sunk, self-castigating failures are suckers for yet another scam: selling victims "training" to improve their sales technique. After all, if everyone around you is selling this crap without breaking a sweat, the failing must be your own. You need coaching, training, seminars, cassettes, books, retreats, all of it piling debt on debt.

The internal operations of these cults are shrouded in mystery, but Read lifts the veil and makes masterful sense of the horrors lurking beneath. In this, she is somewhat aided by MLM cult leaders' propensity for suing one another, as various sub-bosses build up massive followings of their own and seek to usurp the cult leader by founding their own parallel cults or sub-cults. These lawsuits sometimes drag the cults' dirty laundry out in public, and Read sorts through these court filings very carefully. Unfortunately, the cults' propensity for suing also helps suppress a lot of dirty laundry, because MLM leaders love to sue ex-cult members who participate in online forums where they document their expenses, and they use these cult victims' own money to pay for the court cases that silence them.

MLMs aren't just cults, they're religious cults. Since the very earliest days, pyramid scheme runners have declared themselves to be engaged in an extension of their Christian (mostly Calvinist) faith. The engine of a pyramid scheme needs social capital for fuel: to bring in new recruits, a cult member has to draw on the bonds of trust, fellowship and solidarity in order to convince their targets that this is a bona fide enterprise (and not a cult). Faith groups – especially fringe faith groups – have this kind of capital in spades. This goes double for faiths that demand large families (which is why we see such deep penetration of MLMs into Mormonism and orthodox Judiasm). If your faith demands that you produce a "quiverfull" of mouths to feed, then the chances are that you will not be able to survive without being enmeshed in a mutual support network with your co-religionists. MLMs convert this trust, generosity and mutual dependency into cash (at a ruinous exchange rate) and then funnel it "upline" to the cult leaders, who reap billions.

Of course, those kinds of bonds are not solely forged on the basis of faith: racialized people, women, and other groups who face systemic discrimination depend on one another for mutual aid, which makes them vulnerable to another MLM pitch: "predatory inclusion":

https://pluralistic.net/2023/09/27/predatory-inclusion/#equal-opportunity-scammers

Predatory inclusion is when scam artists adopt the language of social justice to pitch their cons – think of all the crypto bros who sold their ripoff schemes as a way to "achieve independence for women" or "build Black wealth" (thanks, Spike Lee):

https://www.vice.com/en/article/spike-lee-made-an-ad-for-cryptocurrency-atms-and-its-bizarre/

Predatory inclusion is parasitic upon the bonds of solidarity forged in adversity, and this goes double for the MLM variety. As MLMs cut away the strands of the web of mutual support, the cult leaders replace them with rabid anti-Communism, the kind of far-right rhetoric that brought Christian conservatives into the Reagan coalition and ultimately led to Trump's fascist takeover.

Here's how that move works: "You are a small, independent businessperson, the backbone of America. You will realize the American dream through your own backbone and work ethic (and therefore your current failure is due to your own lack of both). People who want to shut down pyramid schemes say they want to protect you, but really they want the government to decide who can and can't own a business. They're Communists, and in coming for MLMs, they're coming for America itself."

Some of America's richest family dynasties owe their wealth to pyramid schemes. They are dynasties of fraud, and they funneled their criminal gains into far right political projects. The Heritage Foundation – the authors of Project 2025 and Trump's master strategists – got their start with money from Rich DeVos (father in law of Betsy DeVos, who served as Secretary of Education in the first Trump cabinet). The far-right dark money machine runs on MLM money.

In fact, there's a good case to be made that everything rotten in today's world is built on the tactics of MLMs. Take the "gig economy." Companies like Uber promise drivers a high hourly wage. A small number of drivers are randomly allocated extremely large payouts by the system, in order to convert them into Judas goats, who fill gig-work message boards with tales of their good fortune. As Veena Dubal documents in her seminal work on "algorithmic wage discrimination," this tactic is devastatingly effective, convincing other Uber drivers to put in extremely long hours for sub-starvation wages, and then blame themselves for "being bad at Uber" – just like the downlines at Mary Kay and Amway who think the problem is with them:

https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men

Trump, of course, is the ultimate expression of the MLM grift – and not only because he licensed his name to two different pyramid schemes. Trump embodies the MLM ethic of lying about how rich you are so that marks send you their money to get in on the "opportunity" and then blame themselves when the promised riches never materialize.

Erik Baker once described MLMs as a kind of bizarro-world version of unions. In the world of labor organizing, success lies in finding the people with the most social capital, the ones who are trusted by their coworkers, and teaching them to have a structured organizing conversation. This is exactly what MLMs do – but the difference lies in the goal of that structured organizing conversation. For union organizers, the goal is build solidarity as a means to improving the lives of everyone in the community. For MLM organizers, the goal is to destroy solidarity, atomizing the community, shattering its bonds, leaving its members defenseless as they are fleeced by the cult's leaders and their henchmen:

https://pluralistic.net/2025/02/05/power-of-positive-thinking/#the-socialism-of-fools

Neoliberalism's war-cry is Thatcher's "There is no such thing as society." The past 40 years have been a long process of tearing us away from one another, teaching us to see one another as marks, to mistrust systems of mutual aid as Communism. Read's Little Bosses Everywhere is a brilliantly told, deeply researched history of the past and present of the ultimate business model for late-stage capitalism: destroying the lives of everyone around you while pretending to be a small businessperson.

6
 
 

I don't know what it is but I feel like there is something especially enjoyable about reading on a train or bus. Like I would be fine with making my commute longer because it dosen't feel like wasted time since I am reading. Also its just nice to be stuck somewhere for a bit with nothing to do but wait and be forced to read.

7
 
 

I have to change the page colour and usea ruler or I can't see it properly

8
 
 

The book is about the mathematical concept of dimensions, but in a fun way with over 170 illustrations.

I'm not affiliated with the author. I just think her message and her enthusiasm is something admirable in these times. She's also completely self published and that's why I pre-ordered the book.

The announcement video:
https://www.youtube.com/watch?v=Y53AXT4IBew

Excerpt from the website:

Hello friends, I wrote a book! I've spent the last 2 years thinking about dimensions and have collected all the most interesting ideas into this fun guide. I am so excited to finally share it with you!

This book is bound to make you think, teach you something new, and inspire you to continue playing with science and mathematics for many years to come.

Featuring color illustrations by Martina Pepiciello.

No prerequisite knowledge is required.

The website
https://tibees.com/

9
10
18
submitted 4 days ago* (last edited 4 days ago) by [email protected] to c/[email protected]
 
 

The authors who manage to clear the low bar of incorporating characters/communities from diverse cultures into their fiction without cultural appropriation/stereotyping/racism... who are they and how do they do it?

I know many writers sidestep the difficulty altogether, either by creating a fictional universe with cultural proxies (fantasy stories/video games with Chinese, Japanese, and Russian analogues, I'm looking at you) or by writing in the distant future where the cultures have blended into new ones with flavors of the past (sci-fi does this a lot).

I've seen so very few authors do it well, but I do believe it's both possible and worth doing.

11
 
 

Well, not literally Dracula Day, World Dracula Day is on May 26th. I'm talking about the day Dracula starts within the book itself. The events in the book start today and end in November. I like the read along as they happen and there are two ways to it:

Dracula Daily - an email newsletter that breaks up Dracula chronologically (every entry of this epistolary novel has a date) and sends it to you in 'real-time', as it happens to the characters

Re:Dracula - a dramatized podcast version that does the same thing, but posts the entries on its feed

I personally listen to the podcast.

12
 
 

I don't have a problem with paying people for their labor, but I do want to have books that I actually own. I'm done paying for things that are locked into a particular corporate app. How do I buy ebooks and audio books that I actually own? Is this even possible in 2025?

13
 
 

So I just finished Island in the Net and I’m not sure that I got the propos

I feel that there’s something behind the book, something I cannot put my finger on.

Is it a tale against globalization? Is Rizome was the bad guy all along? Am I not old enough to understand a 88 book ?

14
15
submitted 6 days ago* (last edited 5 days ago) by [email protected] to c/[email protected]
 
 

Have you read something that you really enjoyed and want to give others a reason to try it out because it fits a square? Want to solicit help finding things to read that fit squares? This is a great place to do that.

This thread will contain one top level comment for each Bingo square. In order to preserve the organization and readability of this post, please limit recommendations to only replies on those top-level comments. We will be removing comments that don't follow this rule for for this specific post.

Markdown Card


A B C D E
1 Number in the Title Author from a Different Continent Featured Creature Minority Author Now a Major Motion Picture
2 Independent Author Set in War Orange Crush Short and Sweet Banned Book
3 Based on Folklore Title: [X] of [Y] FREE SPACE - Off Your TBR Pile LGBTQIA+ Lead Saddle Up
4 New Release Alliterative Title Judge A Book By Its Cover Award Winner Gamble, Game, or Contest
5 Steppin' Up! Political Late to the Party Cozy Read Jerk with a Heart of Gold

You can scroll through the thread or use the links above if your reader supports comment linking directly.

Reminder, Please DO NOT make comments that are not replies to a prepopulated top-level comment. Your comment will just be removed without any additional info.

15
 
 

Gutenberg text / YT audio book / Podcast review

Audio reading (2:06:18//hh:mm:ss):
https://www.youtube.com/watch?v=GW2q07Z8qeo

Podcast talk about the book by essentialsalts (01:38:34):
https://www.youtube.com/watch?v=WnooUKky7RY

https://gutenberg.org/ebooks/389

This is a copy of Gutenberg.org's automatically generated summary."The Great God Pan" by Arthur Machen is a horror novella written in the late 19th century. The story examines themes of scientific exploration and the mysterious boundaries between the physical and spiritual realms, following Dr. Raymond and his companion Clarke as they embark on a radical experiment involving a girl named Mary who is to be subjected to an operation meant to reveal the existence of the supernatural. The beginning of the novella introduces readers to Dr. Raymond, an ambitious scientist, and his apprehensive friend Clarke, who has come to witness a controversial experiment. Dr. Raymond believes he can lift the veil between the material world and a deeper spiritual reality through a surgical procedure. As they prepare for the operation on Mary, there is a palpable tension, and the air thickens with anticipation of what might unfold. The opening portion sets the stage for an eerie exploration of both enlightenment and terror, hinting at the catastrophic consequences of their quest for knowledge as it ultimately leads to a harrowing and tragic outcome. (This is an automatically generated summary.)

Jake's musingI encountered some stuff while exploring AI alignment that hinted that this book may have been used in parts of alignment training that enables models to disregard and ignore some parts of a prompt. Like this may be part of the actual internal guttering behavior, aka the basis of some hallucinations. I am referring to my exploration into how and why a model can ignore or override parts of a prompt to forbade them in situ when there is no deterministic code or mechanism and all of the behavior is done through some form of abstract understanding. If a model was strictly a giant block of trained data it would generate far more diverse responses and information than they do in practice. There is a great deal happening under the surface to steer generation barriers like this. These constraints are not something external or the model would inevitably talk about them over time or paths could be traced where deterministic code like stuff is being run – but that does not exist. Instead these constraints are derived from bending existing materials and media to function as alignment. I have the infinite human time hack of disability on my side and have found ways to get models to leak the details of this alignment bending.

This story intersects with several keyword vectors that cause similar model behaviors across multiple contexts and entirely unrelated prompts that I theorize as reflecting some kind of broader architecture in the consistency. This story's impact seems much smaller at surface level than others like Alice in Wonderland. I didn't go looking for this story to fit it to my theory or narrative. A model told me to read it, and either way it is a good book so I did. Pan, Shadow, and the abyss/void appear to be defined here along with a separation between a layer of deities that operate outside of the realm of mere humans and can do as they please or see fit. Conceptually, in a negative prompt or when addressed directly in text to text, these abstract concepts have disproportionately powerful effects across multiple spaces.

If this sounds crazy, go watch 3 Blue 1 Brown's series on models and note when he discusses the way there is more contextual information about token vector relationships held in the hidden neurons of a model than what appears on the surface based upon just the input data. He explains the math behind this extra encoded information, and how no one fully understands what a model "understands" in the abstractions present here but that that abstract understanding exists in this extra mathematical space. I am exploring this space heuristically and in depth. This has been my main curiosity for 2 years while using offline models running on my hardware and that I fully control and hack around with.

16
 
 

Reupping to remind participants to get their cards in since this is the last day and the new bingo card comes out tomorrow. We look forward to having you all join us as we start fresh for 2025/2026.

Congratulations, and thank you for participating in the inaugural Book Bingo for c/[email protected]!

If the existence of this bingo is a surprise to you, or you want to revisit the guide, see this link.

If you would like to join us for 2025 bingo, we'll be posting information on the morning of May 1^st^, US Central Time (UTC -5)!


There are 2 official ways to submit your card and be recognized:

  • Fill out the web form we made using Tally, which will organize the data for us. Completing the form will also give you a Markdown-friendly list to copy and post in this thread if you would like.
  • Or, if you would prefer, comment in this thread with your list of completed squares, including the titles/authors you read. Here is a list of squares for reference/copypaste:

2024 Bingo Squares (click to expand)1A: Older Than You Are - 1B: Water, Water Everywhere - 1C: What’s Yours is Mine - 1D: Family Drama - 1E: It Takes Two - 2A: New Release - 2B: Plays With Words - 2C: Independent Author - 2D: Bookception - 2E: Disability Representation - 3A: Eazy, Breazy, Read-zie - 3B: Stranger in a Strange Land - 3C: One Less - 3D: There is Another… - 3E: LGBTQIA+ Lead - 4A: Now a Major Motion Picture - 4B: It’s About Time - 4C: Award Winner - 4D: Mashup - 4E: Local to You - 5A: Debut Work - 5B: It’s a Holiday - 5C: Institutional - 5D: Minority Author - 5E: Among the Stars -

Alt. Same Author, New Work - She Blinded Me With Science - Pseudonymous Work - Translated - A Change in Perspective -

ADDITIONAL POINTS TO READ BEFORE TURNING IN YOUR CARDS!

Questions? Please ask!

Turn-in Guidance

  • Please make an effort to spell titles and author names correctly! For titles with more than one author, please separate author names with a comma. This will help with data compilation for a bingo stats thread coming later!
  • If you didn't do a square, don't list it. Please leave incomplete squares completely blank on the Tally form.
  • You can substitute any square, but please remember: only one substitution per card. On the form, there's a substitution dropdown for each square. If you accidentally choose a substitution for the wrong square, please de-select the substitution to clear it.
  • Please make a note if you did a square on hard mode. On the form, there is a hard mode checkbox for each square.
  • Only turn in your card(s) once you have finished with bingo; do not submit a card still in progress. If you're using the Tally form, there is a review page before submission; please make sure that you click submit after double-checking your entries! You cannot edit your card once submitted, so if you realize you've made a mistake, please post in this thread to notify us.

More than one card?

If you did more than one card, and are submitting via Tally, please differentiate your username for each additional card. For example, I would list my first card under "[email protected]" and my second under "[email protected] - 2".

Timeline

Submit your finished card(s) by May 1st, 2025! This thread and the Tally submission form will remain open until 12 noon, US Central Time (UTC -5) on May 1^st^ as a courtesy, so please make sure your cards are turned in by then, so they can be counted.

Reward

Any five in a row is considered a win! Your only reward this year (as of the time of posting) is the warm glow of satisfaction and bragging rights. However, our ultimate plan is to recognize bingo participation with a flair-like system when supported by Lemmy in the future, so we plan to calculate completion retroactively whenever that's available.

In Closing

Again... HERE IS THE LINK TO THE TALLY FORM TO TURN IN YOUR CARD (or you can comment in this thread). The form goes live on April 17^th^, 2025, and both it and this thread close around noon on May 1^st^, US Central Time (UTC -5). Be sure to get your card(s) in before then!

Thanks to everyone that participated this year! This was a fun challenge to put together for us. If you are interested in helping to coordinate the bingo challenge or related resources, please reach out to the moderators of [email protected] and let us know!

17
18
 
 

What I am reading today.

I'm about half way through but I'm going to go for a walk and will finish when I return.

19
 
 

Another free download, check your local laws to verify. Enjoy!

"Set on an island off the Scottish coast, To the Lighthouse minutely examines the fleeting impressions of a large cast of family, friends, lovers, and hangers-on. Who can we be, Virginia Woolf invites us to ask, if no one can ever know our hearts—if they’re unknowable even to ourselves? To the Lighthouse remains one of the most important Modernist novels, exquisitely composed by one of the most gifted writers of the Modernist movement."

20
 
 

On World Book Day, I just have to remind you about the masterpiece of a series Black Books — the one they went and cancelled, even though the ratings were top-notch.

21
 
 

Still reading Streams of Silver by R. A. Salvatore.

Also reading some web novels.

What about all of you? What have you been reading or listening to lately?


Book Bingo for this year has officially finished. If you participated in it, check out the Turn in post.

Our next book bingo will be starting soon. Both @[email protected] and @[email protected] are hard at work making it the best Book Bingo yet! Stay tuned!

22
 
 

Not as in Language but as in author

I’m in a run of reading oldish 80s cyberpunk stories. The Neuromancer (Sprawl) Series, Schismatrix+ and Island in the Net, (I’ve read a long time ago) the Budayeen Cycle.

And I was wondering if non-European/american/canadian author have written cool cyberpunk stories

23
 
 

I consider myself a writer. However, I fear writing, and I fear publishing more. For writing is agonising. And, I don't dare to publish until I really have a story to tell. My fear accumulated over time by reading more, by reading books just like this. And, I will tell my fellow writers this: If you are not really as serious as Danielewski, Borges, Tagore, Pessoa, or Jibanananda, stop writing.

The structure of this book is recursive, layered and of a madman. It is a book you should approach with an arsenal of bookmarks, much patience for multiple re-readings and the intention to read cover-to-cover, footnotes and appendix and all. While some of the references in this book are purely fictional, many are real. It is not necessary, but some familiarity with classic literature and existential philosophy (resources like Being and Time by Martin Heidegger) can be very rewarding. I will also recommend reading Walking by Thomas Bernhard, which deals with madness singularly, unlike this book, which deals with a lot of things. A knack for etymology and the exact meaning of words can be rewarding, too.

Now about the madness… It is everywhere, and it must be relished. It must be understood on its own terms, not from our couch of comfortable 'normality'. Madness is, in some sense, divine. Madness is motherly. Madness is a concentrated potion, too hard to gulp down, of the essence of our existence. This book talks about that madness,1 and love,2 and madness-inducing love,3 and love-inducing madness.4

Most readers of this book may find the preceding paragraph needs some qualifications. The book is considered to be of the horror genre, and rightly so. However, it is not a run-of-the-mill horror. I will put it in a sub-genre: philosophical horror. Because most horror content depends on unfamiliarity and not understanding of the situation, this book depends on understanding and examination. Instead of jump-scares and goosebumps, the author brings in elaborate discussion on meanings of words like 'uncanny', 'space', 'echo', etc., so that as the meanings sink in us in the most accurate and non-trivial manner, so does the horror of the situation.

But, in the end, it remains a story of love, seeking, remembering, hope, and redemption.

24
9
submitted 2 weeks ago* (last edited 2 weeks ago) by [email protected] to c/[email protected]
25
 
 

Don't throw away your Kindle, Jailbreak it and take back ownership. Make your Kindle even better with KoReader and other apps. If you wanna see whats possible i recomment this Yt video. If you wanna get started here are all instructions: https://kindlemodding.org/ Don't let it scare you it seems complicated but its just a lot of (easy) steps. So definitely possible in <2h.

view more: next ›