guitars

Peavey grind 6 passive bass. mahogany body, maple & mahogany neck, rosewood fingerboard. 35? Inch scale.

I cannot play on time. Not in terms of missing beats, or losing the click in the middle of a song, but in that my timing is almost always off. I compared my played notes to the click in the DAW, and I'm usually rushing, sometimes by 30-40ms. I remember Adam Neely said once that 10ms is barely acceptable, so yeah.

I tried dividing the distance between clicks in my head, doubling the metronome tempo, moving with the beat, consciously conpensating for the rush, nothing helped. Therefore, my questions - how's your timing doing? What can I do to improve mine?

I wanted to test the new federated social loops.video and since I gifted myself a new holiday project I though it would be cool to document it and share it with the FOSS community here on Lemmy.

Let me know what you think, Happy Holidays to everyone.

More notes and insight is available in the book:

https://archive.org/details/eric-clapton-the-best-of-songbook/page/1/mode/1up

This is an old classical guitar, it might be up to seventy years old. It buzzes with every note but it's the loudest on the G string. Please help.

Just got this vertical 4x12 from Zilla. Got it to pair with this VHX. It currently has four k100's in it, but I'm planning to swap a couple for v30's in a different cab. The vertical 4x12 with the tip-back wheels and handles are really cool - I got this thing up a couple flights of stairs myself without too much trouble, and it sounds great. I gotta say, this form factor solves a lot of problems with the typical 4x12 - posting here so hopefully more guitar nerds see it! Zilla (and Paul!) are great to work with, and make really solid stuff.

(The two on the sides I ordered a few years back when the F12-X200s came out - they built these from the reference cab specs that Celestion published, and I mostly use them with my Kemper and a Matrix GT-1000 power amp. They're also pretty rad. I've taken these out separately and run synths through that power amp and it's a killer setup for that sort of thing)

Not going to go through the whole story, but this was NOT the guitar I was looking for. It was instead the guitar that found me.

The pictures just don't do it justice, but the finish on the rosewood has this amazing 3D effect, and the tone is best described as 'magical'.

When I first picked it up and strummed it in the store I could feel it in my whole body, and my wife's comment from several feet away was, "It vibrated my soul."

Martin 00-28 Standard

Then I got fired, but now at least I'll have more time to learn to play it in the way it deserves to be played. 😅

I have a Donner Hush X and wanted to replace the pick-up selector switch.

I've unscrewed the control panel but it doesn't seem to lift off the guitar body. It might just be a bit stiff and need a little more heft; but I'm wondering if it's soldered to a PCB board and so can'e be opened up with out damaging things.

Has anyone inspected inside or found any YT videos or internal diagrams? I can't find any.

TIA 👍

PS Here’s a Dropbox link to a video of me gingerly pulling the control plate around (which wouldn’t upload to Lemmy, in the OP). https://www.dropbox.com/scl/fi/v7n74q9m252hxrc17f7eb/IMG_0808.mp4?rlkey=qau7d4zum0qswswwngkivenvc&dl=0

I've been working on this neosoul riff for a while now and I'm finally starting to get it, though I did have to simplify it a bit. Still needs a lot of work though.

What are you working on?

I recently picked up an electric guitar, and am using a Fender Mustang I amp a friend loaned my son. It is not a bad amp, per se. But it has built in effects that cannot be turned off, it is nice having the effects because I do not have any pedals yet. But I would like to be able to play clean sometimes.

I am looking for something about the same size. Maybe a bit bigger. It is a 1-8” 20 watt amp. Maybe something around the 50 watt area. If it has built in effects I am only interested if they can be turned off.

Bonus if anyone knows if it is possible to turn off the effects on this one.

Are we supposed to include a guitar tax here?

Always braid your cables kids, it helps with shielding

I ordered this on a whim but I am probably going to sell it. It is a wonderful guitar but I prefer a beefier neck. This guitar is absolutely ideal for someone with small hands.

Currently setup for C Standard tuning. More pictures in the comments.

EDIT: Sold

As I said in the last post I made, I had the intention to upgrade the guts of my newly bought guitar. I switched out potentiometers and pickup selector for something that wouldn't feel as cheap, added a coil split mode through push/push pot and added a treble bleed to brighten up the tone. Everything I needed I found on Thomann.

Here's the schematics I made with DIY Layout Creator, which is a really cool piece of free software that I can only recommend if you're into this sort of stuff. You can find it on FlatHub as well.

Does anyone have experience adding a tremolo of any kind onto a guitar? I somehow managed to own a handful of solid body electric guitars without having a trem on any of them.

I've seen bigsby trems with vibramate mounting kits that don't require any drilling to install, but their pretty expensive.

https://www.sweetwater.com/store/detail/VibramteV7AlPk--vibramate-v7-and-bigsby-b7-vibrato-tailpiece-for-gibson-les-paul-aluminum

https://www.sweetwater.com/store/detail/0868013004--bigsby-bigsby-b5f-telecaster-modification-kit

I've also seen the duesenberg tremolo that installs right over the bridge.

https://www.sweetwater.com/store/detail/LesTremNickel--duesenberg-les-trem-ii-tremolo-system-for-stoptail-tom-bridges-nickel

I'm considering putting something like that on my les Paul or telecaster. Has anyone done something similar? Is this something I can reasonably do myself? Looking for recommendations and/or advice.

Thanks!

Up until now, I've never bought a brand new guitar, so I figured I could make up for all those savings and get something nice!

... but I had such a good deal with this guitar that I couldn't miss the opportunity.

I started being interested in this kind of design since Squier reissued the Toronado in its Paranormal series, based on an old Fender model discontinued in '06.
And I found out that Ibanez gave such a design a chance in 2012 with the Roadcore Series and in particular with this mid-tier model: the RC320.

While searching some information about it, I found a listing of a guy selling one not far from where I live. It was a really, really good bargain so I ended up buying it.

The guitar is a distillate of features from all the most iconic guitars manufactured in the last century: it has a mahogany body and humbuckers like a Les Paul or a PRS, an offset shape like a Jazzmaster/Jaguar, a 648mm scale and a bolt on maple neck with rosewood board like a Stratocaster, but with a flat radius and the crazy low action only Ibanez can make.
And as an upgrade, the previous owner installed a couple of Blues Engines pickups, that have a very apt name given the warm tones they produce.

I have in mind over the next months to upgrade the electronics and since the humbuckers are splittable, add a push/push potentiometer to experiment with an alternative configuration. I'll try to post some pictures of the job.

So it seems like otto gläsel was a store in germany that sold soli/hanika guitars with their own label and logo, but I have no idea if this is a hanika or if they did this with other guitars too. I couldn't find the model online.

Update: I have emailed the company and they have confirmed that hanika built their guitars in the sixties and seventies. The amazing gentleman who responded to me said that this is closest to their models from the fifties, worth about 500-700 DM at the time. The top seems to be solid spruce, the sides and back rosewood.

If you're in germany I would totally recommend purchasing an instrument from them, they were incredibly experienced and kind, and this guitar –despite 70 years of wear– looks and sounds gorgeous.

It seems to be a pretty down to earth operation, with not too many employees. Check them out, and check out flea markets in your area. Thanks to @[email protected] for all the help.

I study guitar as a hobby, beginner-intermediate level. I have weekly jam sessions with a friend who is much more advanced.

I usually play notes from minor pentatonic in the key of what he plays. I sometimes use notes from other scales, although this is much more difficult.

I mostly pluck the notes with the pick, occasionally using bends, slides, hammers,etc., but not so much yet, as I am still learning those.

Occasionally I sound good but a lot of what I do is based on luck, trying to stay in rhythm and when I stumble upon a pattern I like, I repeat it a few times.

Over the course of an hour I become repetitive, and after a few weeks, I feel I am running in circles.

Where could I go from there? Any recommendations on learning material that would help me develop that aspect of guitar playing (which is the reason I got into guitar in the first place).

We usually play blues style, but if there is material from other genres that can help me learn, I am curious to hear it.

EDIT: THANK YOU EVERYONE, I WILL TRY YOUR SUGGESTIONS OVER THE NEXT FEW MONTHS.

I'm still learning about gain stacking and came upon this boost pedal with a tri-band eq. I might just be splitting hairs here but what would you call it?

Following the post of this week, I'm really happy of how it turned out.
Now I can retire my old Beringer TO800