cross-posted from: https://hexbear.net/post/5418835
A peer-reviewed article—on Indigenous dance in Palestine and Native North America as resistance to genocide—was formally accepted then rejected by the editors of The Journal of Somaesthetics, citing fear of criticizing Israel’s genocide.
It is unclear why—after a year of nonstop affirmation and written acceptance from both editors—the decision was suddenly reversed. Finally, it is also unclear why making a political statement (or being perceived as making one), or putting a journal, its editors, and/or its board members “in a difficult position” are legitimate grounds for reversing a formal acceptance for publication in an academic journal. My subsequent attempts to clarify and resolve the situation have all gone nowhere.
From these exchanges, I logically inferred, as did several colleagues in Philosophy and Dance Studies (via email correspondence), that the real reason for the journal’s sudden reversal was my essay’s naming and condemnation of the genocide in Palestine, and the journal leadership’s attempt to protect itself from feared retaliation. In support of this interpretation, my essay also introduced a likely conflict of interest for Richard Shusterman, the founder of somaesthetics, cofounder of its journal, and currently first-listed member of its Editorial Board. Since Shusterman received a bachelor’s and master’s degree from the Hebrew University of Jerusalem, and was a lecturer in Israel at Ben-Gurion University, Bezalel Academy of Art, and the Hebrew University, for his journal to publish an essay critical of Israel’s genocide of Palestine, in today’s climate, would presumably have involved personal, professional, and political risks for him.
